Your ultimate packaging resource


How To Create And MarketT Your Own Special-Interest Video Productions

The trouble with publishing a book, from a
first-time writer's point of view, lies withBecause I wanted to use slow motion for this
the slowness of the publishing industry. Oncelast video, I took all the footage to the
written, the book has to be accepted by aracetrack video lab (a great place to get
publisher, rewritten according to the editor,access to expensive video equipment on the
then scheduled, manufactured, distributed,cheap) and had all the footage moved up to
and marketed. Most books don't get much inone-inch tape, then dropped to standard VHS
the  way  of  marketing.in slow motion - all for $200. From the
original HI-8 tapes, and the converted slow
Years later, with the very best of luck, themotion stuff, I built my master and dubbed in
author begins to see some small reward forthe  narration  and  background  music.
his efforts. Maybe $5,000 if he or she is
very lucky. If your first book isn'tYou have to keep in mind that this is a tiny
profitable for a publisher, you may neverbusiness for profit, not Walt Disney Studios.
have the opportunity of having anotherProfit will come from delivering large bodies
published.of valuable information, not fancy video
effects, super quality production, or
Self-publishing is a better route because thebeautiful packaging. Once your customers
author typically knows his audience and howtrust you, your packaging doesn't matter at
to reach them. But the up-front costs of aall. Almost everyone trusts a company that
$5,000 printing can be $30,000 or more, andgives written guarantees and takes credit
the marketing costs can run quickly into fivecards.
figures as well. Any books that go unsold are
"dead  inventory"  or  wasted  money.EQUIPMENT
I have written, self-published and marketedYour original footage should be of high
four books, all dealing with exercisequality because as you move from original to
physiology and race horses (a very narrow andmaster a copy, you're going to lose some
specialized market). Two made money, twovideo quality. In order to avoid paying big
didn't; one of them was a total loss andbucks for professional equipment, my advice
didn't even bring back publishing costs.is to start with a Hi-8 or super 8 CCD
Still the two winners produced a net profitcamcorder with a lux rating (low light
exceeding $200,000 over four years, and bothcapability) of four or less (Your video
are still selling today. The first book, Thedealer can assist you in choosing equipment).
Fit Racehorse, originally sold for $55 aFor higher quality productions and more
copy. My most recent book, The Racehorseup-front expense, you can rent studio
Owner's Survival Manual, is the other winnerequipment, studio personnel, and even a radio
and sells for $59.95. The smaller the market,announcer's voice. If you're highly
the more specialized and valuable theorganized, know precisely what you want to
information, and the bigger the retail price.shot, and how you might get by with a
one-day, or two half-day studio rental fee.
A  BETTER  WAYThat's  $2,000  to  $3,000  in  most  cities.
There's a better, easier way to make money inSELLING:  CUSTOMER  AND  PRICE
self-publishing. A reasonably talented
communicator with specialized knowledge ofIn your direct mail and print advertising the
the value to others is more likely to see bigoffer has to be irresistible. You have to
profits from his efforts if he choosesguarantee and deliver satisfaction. You have
instead the medium of video. Today, almostto make the act of purchasing easy by
everyone who has indoor plumbing has ahonoring credit cards and providing an 800
videocassette recorder/player (VCR). The sixnumber. Your advertising should be targeted
months to a year needed to write a book canprecisely at your potential customer: it's
be condensed to six weeks of planning,unlikely you'll be able to sell a gardening
writing, taping, and editing a self-madevideo in a motorcycle magazine! Before you
video.begin work on any video, plan your marketing
approach.
I've "published" twenty-eight videos and the
monthly income from them has been betweenI use an computer for keeping track of my
$8,000 and $20,000 for more than four yearscustomer list and a laser printer for
now. Most are still selling (four are new andproducing all my fliers and the documentation
just going on the market), none have lostthat I send along with the videos. This
money, and I have never had any inventorydocumentation helps the videos "stick,"
except for a supply of blank tapes. Theproviding and extra unexpected bonus for the
unsold copies of my two failed books, incustomer, and virtually eliminating returns.
contrast, represented some $40,000 inEssentially, the documents are close-ups of
unrecoverable up-front costs. From now on,the subject matter included in the video,
I'm going to let someone else publish andgetting down into detail that perhaps the
market my books, and I'm sticking to thetape could not deliver - sometimes charts and
self-published video business, where the realgraphs.
profit  is.
One-third of my business is wholesale sales.
HOW  IT'S  DONE:  THE  SUBJECTMy print ads complete for business with those
of the retail accounts I service. When I
The first rule of thumb is teach what youintroduce a new video, I first offer it to my
know or what a friend of yours knows. My mostold direct mail customers at a discount in a
recent tape, Exercise Rider, the Good, the"pre-release  special."
Bad, and the Ugly, has returned more than
$20,000 in three months - and I don't knowThe prices of my videos are always high. I
how to ride a horse. In fact, a friend whowant to make a profit and I want my retailers
likes to visit racetracks took the originalto make a profit. The lowest price I've ever
footage  on  a  Hi-8  Cannon  camcorder.put on a single video is $39.95; the highest,
$99. Thus, when a wholesale customer orders,
I sent videos of fifty racetrack exercisesay a dozen $39.95 tapes, they'll send me
riders to several friends who are experts in$240, while a dozen direct mail sales of the
the field. They critiqued each rider, talkingsame  video  will  bring  in  $480.
into a cassette recorder as they watched the
footage. I listened to the critiques andRemember that you can always lower a price,
built my voice-over from them. The $69.95but just try to get away with raising it! But
ninety-minute tape is getting raves fromTHINK before you lower a price. At one time,
buyers, all of whom are guaranteedI thought I had nearly exhausted the market
satisfaction. If they don't love the tape,for a pair of my $99 videos since their sales
they can send it back within thirty days. Nothad plummeted I then cut the price in half,
one  has  been  returned  as of this writing.confident that sales would go up. That was
two years ago. The tapes are still selling,
If you deliver valuable information, inbut at the same slow rate - and now my
quantity, in a reasonably decent production,profits are at a lot lower too. I made the
your production will stick. If you go formistake  by  dropping  the  price  on  them.
effect, but deliver drivel, or plain
erroneous or incomplete information, theTHE  MARKETPLACE
customers will be enraged. They'd much rather
buy and keep an amateur production whichYou may feel, especially after browsing
fills informational needs than one that'sthrough specialty video catalogs, that
pretty,  but  shallow.everyone has beaten you to the punch. You may
think that big, sophisticated studios are
HOW  IT'S  DONE:  PRODUCTIONproducing the only videos that consumers will
buy. What you must understand is that a whole
As I mentioned above, the raw footage for mynew marketplace is out there, and there isn't
most recent tape was taken with anearly  enough  material  to  satisfy  it.
consumer-type camcorder. My first tape was
taped with an older Panasonic camera andInformation is information, no matter who
recorder. By today's standards, the resultsdelivers it. Major studios feel they cannot
were blurry pictures with mumbly sound, butwaste their resources on small projects that
the  tapes  did  sell  and  most stayed sold.might require specialization outside of
videography. If they wanted to produce a
At home I Have a JVC VHS editing console thatvideo on cabinet-making, they would have to
cost me $5,000 new, and five JVC HQ consumerlocate a cabinetmaker, pay for his time and
decks for making copies. I "assembly edit"materials, and using their millions of
the master tape, videos first, then add voicedollars worth of high-tech gear and expensive
and sometimes music. Labels are printed by atechnicians begin production. Meanwhile Joe
typewriter with memory (you can do any numberCabinetmaker, on Elm Street, has made a nifty
of the same label with just one command). Thelittle video that is informative and
finished product goes back into the originalenjoyable to watch.
box and is shipped without further packaging.



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