How To Create And MarketT Your Own Special-Interest Video Productions

The trouble with publishing a book, from afinished product goes back into the original box
first-time writer's point of view, lies with theand is shipped without further packaging.
slowness of the publishing industry. Once written,Because I wanted to use slow motion for this last
the book has to be accepted by a publisher,video, I took all the footage to the racetrack
rewritten according to the editor, then scheduled,video lab (a great place to get access to
manufactured, distributed, and marketed. Mostexpensive video equipment on the cheap) and had
books don't get much in the way of marketing.all the footage moved up to one-inch tape, then
Years later, with the very best of luck, thedropped to standard VHS in slow motion - all for
author begins to see some small reward for his$200. From the original HI-8 tapes, and the
efforts. Maybe $5,000 if he or she is very lucky.converted slow motion stuff, I built my master
If your first book isn't profitable for a publisher,and dubbed in the narration and background music.
you may never have the opportunity of havingYou have to keep in mind that this is a tiny
another published.business for profit, not Walt Disney Studios. Profit
Self-publishing is a better route because thewill come from delivering large bodies of valuable
author typically knows his audience and how toinformation, not fancy video effects, super quality
reach them. But the up-front costs of a $5,000production, or beautiful packaging. Once your
printing can be $30,000 or more, and thecustomers trust you, your packaging doesn't
marketing costs can run quickly into five figuresmatter at all. Almost everyone trusts a company
as well. Any books that go unsold are "deadthat gives written guarantees and takes credit
inventory" or wasted money.cards.
I have written, self-published and marketed fourEQUIPMENT
books, all dealing with exercise physiology andYour original footage should be of high quality
race horses (a very narrow and specializedbecause as you move from original to master a
market). Two made money, two didn't; one ofcopy, you're going to lose some video quality. In
them was a total loss and didn't even bring backorder to avoid paying big bucks for professional
publishing costs. Still the two winners produced aequipment, my advice is to start with a Hi-8 or
net profit exceeding $200,000 over four years,super 8 CCD camcorder with a lux rating (low
and both are still selling today. The first book, Thelight capability) of four or less (Your video dealer
Fit Racehorse, originally sold for $55 a copy. Mycan assist you in choosing equipment). For higher
most recent book, The Racehorse Owner'squality productions and more up-front expense,
Survival Manual, is the other winner and sells foryou can rent studio equipment, studio personnel,
$59.95. The smaller the market, the moreand even a radio announcer's voice. If you're
specialized and valuable the information, and thehighly organized, know precisely what you want
bigger the retail price.to shot, and how you might get by with a
A BETTER WAYone-day, or two half-day studio rental fee. That's
There's a better, easier way to make money in$2,000 to $3,000 in most cities.
self-publishing. A reasonably talentedSELLING: CUSTOMER AND PRICE
communicator with specialized knowledge of theIn your direct mail and print advertising the offer
value to others is more likely to see big profitshas to be irresistible. You have to guarantee and
from his efforts if he chooses instead thedeliver satisfaction. You have to make the act of
medium of video. Today, almost everyone whopurchasing easy by honoring credit cards and
has indoor plumbing has a videocassette recorderproviding an 800 number. Your advertising should
player (VCR). The six months to a year neededbe targeted precisely at your potential customer:
to write a book can be condensed to six weeksit's unlikely you'll be able to sell a gardening video in
of planning, writing, taping, and editing a self-madea motorcycle magazine! Before you begin work
video.on any video, plan your marketing approach.
I've "published" twenty-eight videos and theI use an computer for keeping track of my
monthly income from them has been betweencustomer list and a laser printer for producing all
$8,000 and $20,000 for more than four yearsmy fliers and the documentation that I send along
now. Most are still selling (four are new and justwith the videos. This documentation helps the
going on the market), none have lost money, andvideos "stick," providing and extra unexpected
I have never had any inventory except for abonus for the customer, and virtually eliminating
supply of blank tapes. The unsold copies of myreturns. Essentially, the documents are close-ups
two failed books, in contrast, represented someof the subject matter included in the video,
$40,000 in unrecoverable up-front costs. Fromgetting down into detail that perhaps the tape
now on, I'm going to let someone else publish andcould not deliver - sometimes charts and graphs.
market my books, and I'm sticking to theOne-third of my business is wholesale sales. My
self-published video business, where the real profitprint ads complete for business with those of the
is.retail accounts I service. When I introduce a new
HOW IT'S DONE: THE SUBJECTvideo, I first offer it to my old direct mail
The first rule of thumb is teach what you knowcustomers at a discount in a "pre-release special."
or what a friend of yours knows. My most recentThe prices of my videos are always high. I want
tape, Exercise Rider, the Good, the Bad, and theto make a profit and I want my retailers to make
Ugly, has returned more than $20,000 in threea profit. The lowest price I've ever put on a single
months - and I don't know how to ride a horse. Invideo is $39.95; the highest, $99. Thus, when a
fact, a friend who likes to visit racetracks tookwholesale customer orders, say a dozen $39.95
the original footage on a Hi-8 Cannon camcorder.tapes, they'll send me $240, while a dozen direct
I sent videos of fifty racetrack exercise riders tomail sales of the same video will bring in $480.
several friends who are experts in the field. TheyRemember that you can always lower a price,
critiqued each rider, talking into a cassettebut just try to get away with raising it! But THINK
recorder as they watched the footage. I listenedbefore you lower a price. At one time, I thought I
to the critiques and built my voice-over fromhad nearly exhausted the market for a pair of
them. The $69.95 ninety-minute tape is gettingmy $99 videos since their sales had plummeted I
raves from buyers, all of whom are guaranteedthen cut the price in half, confident that sales
satisfaction. If they don't love the tape, they canwould go up. That was two years ago. The tapes
send it back within thirty days. Not one has beenare still selling, but at the same slow rate - and
returned as of this writing.now my profits are at a lot lower too. I made the
If you deliver valuable information, in quantity, in amistake by dropping the price on them.
reasonably decent production, your production willTHE MARKETPLACE
stick. If you go for effect, but deliver drivel, orYou may feel, especially after browsing through
plain erroneous or incomplete information, thespecialty video catalogs, that everyone has
customers will be enraged. They'd much ratherbeaten you to the punch. You may think that big,
buy and keep an amateur production which fillssophisticated studios are producing the only videos
informational needs than one that's pretty, butthat consumers will buy. What you must
shallow.understand is that a whole new marketplace is
HOW IT'S DONE: PRODUCTIONout there, and there isn't nearly enough material
As I mentioned above, the raw footage for myto satisfy it.
most recent tape was taken with aInformation is information, no matter who delivers
consumer-type camcorder. My first tape wasit. Major studios feel they cannot waste their
taped with an older Panasonic camera andresources on small projects that might require
recorder. By today's standards, the results werespecialization outside of videography. If they
blurry pictures with mumbly sound, but the tapeswanted to produce a video on cabinet-making,
did sell and most stayed sold.they would have to locate a cabinetmaker, pay
At home I Have a JVC VHS editing console thatfor his time and materials, and using their millions
cost me $5,000 new, and five JVC HQ consumerof dollars worth of high-tech gear and expensive
decks for making copies. I "assembly edit" thetechnicians begin production. Meanwhile Joe
master tape, videos first, then add voice andCabinetmaker, on Elm Street, has made a nifty
sometimes music. Labels are printed by alittle video that is informative and enjoyable to
typewriter with memory (you can do any numberwatch.
of the same label with just one command). The