CD and DVD Printing –- Choosing the Best Print Method for Your CD or DVD Duplication Job

When it comes to CD & DVD Printingblack (CMYK), also usually on a white
nowadays there is so much choice that unlikebase.Artwork is separated into these constituent
paper printing (where run size and cost are thecolours and from the exposed films 4 plates are
main factors), you’re faced with the dauntingmade. This ink is applied to these and rubber
choice of Litho, Screen, Inkjet, Digital and Thermalrollers then pick the ink up, reapplying it to the
printing on CDs and DVDs or even a combinationsurface of the disc. Once the 4 colours have been
of 2 or more of these. DVD duplication is fairlysequentially applied then the disc is also cured
simple - the data is either there (and works!) orunder a strong UV light.
isn't. The print on your duplicated DVD or CD isThe latest generation of Digital disc printers use
what will set it apart from the millions of otherUV cured ink and multiple print heads that are
discs out there.similar to consumer inkjet but on a much bigger
So how do you determine what is best for yourscale. Each colour is applied by 8 separate heads
run of CDs or DVDs?which dramatically increases resolution and variable
As a basic guide, stick to the following principles;droplet size allows greater variation in shades. A
solid colours should be screen printed, as shoulddigital printer such as this will print 1200 discs per
Pantones. CD & DVD artwork consisting ofhour compared to a consumer inkjet’s 30 or
photographs or CMYK mixes with lots ofso. Once the ink has been applied to a white base
graduations and tints will look better litho printedit passes under a UV light to be cured into a solid,
or better still printed using the new generation ofglossy and durable finish.
UV cured CD and DVD printers. One of the bestInkjet and Thermal print offer a cost effective
examples of this new print process is a newsolution for very small runs of full colour printed
printer developed by Sun Chemical; its resolution,CD & DVD and the lead time is normally a
vibrancy of colour and gloss finish gives picturematter of hours rather than days, though this of
discs an almost 3D feel to them.course depends in the size of the duplication
Screen printing requires the artwork to be split upfacility.
into constituent colours. A film is then exposedInkjet printers use the same technology found in
from each of these colours (usually including aconsumer printers, with a modified caddy to take
white base). From this film a screen is made; thisa disc and sometimes automated disc loading and
is a 12cm square porous mesh with the area notunloading.
to be printed remaining as a non permeable area.Thermal (or thermal transfer) prints the image
Ink of 1 colour is forced through this mesh with ausing a colour film that is applied using a high
rubber blade (known as a squeegee), onto thetemperature process. This is a particularly
surface of the disc. Screen printers can have upexpensive and inefficient way of printing discs as
to 5 colours, applied one after the other. Once thethere is a lot of waste film from the areas of the
ink has been applied the disc is passed under adisc that is unprinted. It is also a very slow
powerful UV lamp that cures the ink, solidifying it.process.
This method allows for some creativity, such asSolid colours and pantones should be avoided
not applying ink in some areas, revealing the silverprinting with either of inkjet or thermal as
disc layer beneath, or applying special varnishes topantones will be difficult to match and solid colours
give specific areas of the disc high gloss orwill exhibit banding or lines.
conversely a matt finish.A professional duplicator will be able to not only
Litho printing also starts with photographicoffer any of these methods but more
exposure used to generate plates. In litho (alsoimportantly be able to advise on which of these
more correctly known as offset) the print ismethods is the best for your artwork.
made up of 4 colours; cyan, magenta, yellow and